Print Making: From original’s artwork collaged photo composition. Master to Print on Archival Museum Paper. 1/ 25 Limited Edition / Signed Welcoming David Chevtaikin to the Flat Space Art family. This sleek Chanel logo has been torn from its traditional, expected context and brought to clash with the urban canvas, layered with repetitive patterns inspired by designs found on peeling wallpaper. Neither brands nor empires, however luxurious, are impervious to the insurgent brush-strokes and interpretive fusillade of the street artist. David is a cutting edge artist from New York city who uses fabrics, textiles and graffiti. He fused his background in music and fashion into his own instrumental style. David is playing a strong part in a new art revolution with his strong, self-assured style, characterized by a judicious use of color, a fine eye for form and proportion and a love of bold brush strokes and graffiti. David fuses his love for graffiti and abstract expressionism, with pop elements in a mural size art canvas. Loving the bright, intense, radiant, incandescent colours, fuse really well together. Grass and moss green Leaves, red roses, salmon pink, cerise flowers in the the letters on a bed of sky blue. Splashes of tangerine orange.
Publisher: 1/25 Limited Edition, Signed
David Chevtaikin is a cutting edge artist from New York City who incorporates fabrics, textiles and graffiti into his work. Chevtaikin understands himself as a strong player in the new art revolution with his strong, self-assured style characterised by a judicious use of colour, eye for form and proportion and a passion for bold brush strokes and graffiti. Juxtaposing the mediums and depictions of classical ideas in art with modern content and graffiti street art, the artist hopes to invoke a constant evolution of possibilities in his work.
Layered atop a nebulous cross, Mickey Mouse the God of entertainment, emerges, however different to his traditional depiction, the character is made up of a colourful image of a woman looking out towards the viewer with several black graffiti marks. By incorporating two different characters, Chevtaikin plays on the idea of worship, both in religion and media and thus ends up creating negative undertones to the work.
Virtual Digital Fusion Print